There are pieces of furniture that you only truly understand by getting up close. The grain of hand-turned ash, the depth of polished red lacquer, the light passing through an extra-clear tempered glass top. No photograph can convey these sensations. This is why Adentro Paris has opened a showroom on rue Blomet, in the 15th arrondissement: to allow people to see and touch, without prior appointment, furniture that is chosen for a lifetime.
Here's what you'll find there, and what you need to know before stepping inside.
A contemporary furniture publisher, not a furniture store
The distinction deserves to be made upfront. A furniture store resells what others have designed and manufactured. A publisher, in the sense of publishing a work, selects designers, validates each drawing, oversees production, controls materials, and signs the result with their name. Since 2011, Adentro Paris has published about forty pieces resulting from collaborations with four contemporary design signatures, three of them Italian.
This changes everything for those who visit the store. You're not entering a chain store where references are stacked; you're entering a coherent collection, where every bedside table dialogues with every desk, where lines echo each other from one piece to another. Selection matters more than volume.
Four design signatures to discover on-site
The primary advantage of a visit is to see the four lines published by Adentro brought together in one place. Each has its own temperament, preferred materials, and relationship to space.
Cosimo, by Marco Zanuso Jr
The Cosimo desk is probably the most photographed piece in the showroom — and it's on-site that it truly comes into its own. Designed by Marco Zanuso Jr, heir to one of Italy's great design dynasties, it reinterprets the silhouette of a 1950s writing desk in a family of very contemporary finishes: glossy red, grey, or orange lacquers, an extra-clear glass top on a walnut structure, and bronze or gold-plated metal legs. The lacquer, in particular, needs to be seen up close, with a depth of color that no screen can faithfully reproduce.
Ninna, by Carlo Contin
Softer, more tactile, the Ninna collection designed by Carlo Contin revolves around solid ash and leather. The Ninna armchair, its stools, and their side tables form a universe of round seating, almost childlike in their generosity, but with remarkable execution quality — the pieces are hand-turned, and every wood grain remains visible. It's the corner in the showroom where people linger the longest.
Johnny Stecchino, by Studio Ventotto
The coat rack and its variations designed by Studio Ventotto — wall-mounted or freestanding — are one of Adentro's signature objects. Inspired by Italian "stecchini," these stylized toothpicks, they transform an apartment entrance into a small graphic installation. Worth seeing primarily to understand the finesse of their proportions, which are difficult to judge from a photo.
Zen, by Adentro Studio
Finally, the Zen line, designed in-house by Adentro Studio, offers a grammar of console desks, coffee tables, nesting tables, bedside tables, and bookshelves, all playing on the same tempered glass/wood duo. It is probably the most versatile line in the catalog: it blends into a classic Haussmannian interior as well as a contemporary loft.
What you won't see (and won't feel) online
Some details don't translate well to the screen and alone justify the trip.
The lacquers. On a red or orange Cosimo desk, the depth of the color, the mirror-like polish, the warmth of the surface to the touch are unique to this artisanal process. It's also on-site that you can compare the bronze and gold-plated finishes of the base, whose appearance varies significantly with the light.
The extra-clear tempered glass. The Zen range plays heavily on the "floating object" effect produced by this crystalline glass with no green reflections. Placed on oak or walnut, its appearance is more subtle than what a catalog photo suggests — you need to see it catch natural late-afternoon light to truly understand the piece.
The grain of solid ash. On the Ninna stools and armchairs, on the Head chair, on the Gustave stool, each piece is different. Touching, looking at the grain, choosing "that one" rather than another, is a pleasure specific to solid wood furniture.
The conversation. You arrive with a project — a desk corner in a living room, an entrance console, a glass console not to steal the show from a work of art — and the team helps you decide between dimensions, finishes, configurations. This dialogue, by nature, cannot be transferred to an online comparison tool.
Beyond furniture: objects, gifts, and partner brands
The showroom is not just where Adentro's editions are found. A gallery of decorative objects is curated in parallel (rugs, ceramics, workwear, accessories) to extend the brand's universe into more accessible price ranges. It's the ideal place for a housewarming gift or a treat for oneself, without the commitment of a long-term investment.
Details of currently present partner brands are kept up to date on the store page.
The neighborhood around Rue Blomet
The 15th arrondissement on the Left Bank remains one of Paris's most discreet arrondissements, and one of the most pleasant strolls for those who take the time to wander through it. Rue Blomet itself is richer in history than it appears.
At number 45, where the Square de l'Oiseau Lunaire is located today, Joan Miró's and André Masson's studios were located in the 1920s. Their friends visited there: Jean Dubuffet, Michel Leiris, Antonin Artaud, Robert Desnos. This cosmopolitan and convivial environment was one of the hotbeds of the Surrealist movement. In 1974, Miró donated a bronze sculpture, L'Oiseau Lunaire (The Lunar Bird), to the City of Paris, placed in the square in homage to the poet Robert Desnos. The square, fifteen numbers from the shop, is one of the quietest spots in the neighborhood.
At 33 Rue Blomet, the Bal Blomet, a jazz club opened in 1924, attracted Josephine Baker, Hemingway, Cocteau, Sartre, and Simone de Beauvoir. Mondrian danced there. The venue still exists and offers a quality jazz selection.
The street's architecture is also worth looking up at: at 83-85, a 1909 building by Charles Lefebvre breaks with usual Parisian codes with its orange brick facade and green frames, in a more Norman than Haussmannian style.
Take advantage of your visit to Adentro Paris to spend half a day strolling through Paris 15, lunch included. Access is easy via metro line 12 (Volontaires or Vaugirard stations) or by buses 39, 70, 80, and 89.
Preparing your visit
The store is open to all, without prior appointment, from Tuesday to Saturday, in the afternoon. However, you can request a dedicated time slot if you would like personalized assistance for a specific project: a complete furnishing, a corporate gift, an order for an interior designer or decorator.
➜ Address, detailed hours, and access map: the Adentro Paris Rive Gauche store
➜ Architects, decorators, and specifiers: our services dedicated to professionals
➜ A question before coming: contact us
We are happy to welcome you for a coffee, whether out of simple curiosity or for a finalized project. At a contemporary furniture publisher, this is also what is conveyed: the time to look, without rush.
